ملف:Artgate Fondazione Cariplo - Ferrari Arturo, La chiesa di Santo Stefano in Borgogna in Milano.jpg
![ملف:Artgate Fondazione Cariplo - Ferrari Arturo, La chiesa di Santo Stefano in Borgogna in Milano.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/7/76/Artgate_Fondazione_Cariplo_-_Ferrari_Arturo%2C_La_chiesa_di_Santo_Stefano_in_Borgogna_in_Milano.jpg/412px-Artgate_Fondazione_Cariplo_-_Ferrari_Arturo%2C_La_chiesa_di_Santo_Stefano_in_Borgogna_in_Milano.jpg)
الملف الأصلي (550 × 800 بكسل حجم الملف: 139 كيلوبايت، نوع MIME: image/jpeg)
![]() | هذا ملف من ويكيميديا كومنز. معلومات من صفحة وصفه مبينة في الأسفل. كومنز مستودع ملفات ميديا ذو رخصة حرة. |
ملخص
أرتور فيراري: Church of Santo Stefano in Borgogna in Milan.
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الفنان |
artist QS:P170,Q3624543 |
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العنوان |
الإيطالية: La chiesa di Santo Stefano in Borgogna a Milano Church of Santo Stefano in Borgogna in Milan. title QS:P1476,it:"La chiesa di Santo Stefano in Borgogna a Milano"
label QS:Lit,"La chiesa di Santo Stefano in Borgogna a Milano"
label QS:Len,"Church of Santo Stefano in Borgogna in Milan." |
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نوع العمل |
لوحة فنية object_type QS:P31,Q3305213 |
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الوصف |
In 1893 Arturo Ferrari took part in the Esposizione Straordinaria Nazionale e Internazionale, an exhibition of watercolours at the Milan Società per le Belle Arti ed Esposizione Permanente, winning a silver medal for a work entitled S. Stefano in Borgogna. At this same exhibition, the Ticino artist Luigi Rossi showed the watercolour, Sorrow and Curiosity, which was a study for the large painting The School of Sorrow in the Cariplo Collection. Perhaps it was Ferrari’s success at the show that encouraged him to execute, in 1896, the version in oils now in the Collection, which shows a perspective view of the medieval church of Santo Stefano, in which he reconstructs its Baroque forms dating to the time of St Charles Borromeo. On the basis of a life study of the setting, a delicate watercolour now in the Museo di Milano and possibly identifiable as the work exhibited in 1893, the painter represents the exterior of the building before it was deconsecrated and used for storing wood, around the mid-1860s. Hence it is not a contemporary view but a philological reconstruction of the place when it was still frequented by the faithful, as evinced by the female figure in black carrying a prayer book who appears to have just come out of the door, and the other woman wearing a veil who is about to enter the church, which dates the scene to at least 30 years before the work was actually executed. The inclusion of the Italian flag on the balcony of the building in the foreground seems to indicate the year 1866, and is probably linked to the wave of popular enthusiasm over the Italian army’s victory in the third war of independence that same year. The actual execution of the work, dated 1896, is therefore related to the political climate at the time, when the country was celebrating the 30th anniversary of the victory that was fundamental to the completion of the process of Italian unification. As well as its patriotic appeal, the work is designed to satisfy the desire of a middle class public for paintings that were straightforward and pleasing. Thus the painter offers a picturesque view of Milan – destined to disappear during the urban renewal of the 1930s – adopting a snapshot style but without relinquishing the lively descriptive quality that had had ensured his public acclaim. The distinguishing feature of Ferrari’s painting is his ability to represent with philological rigour and rich detail the places and events of the past, which he often combines with genre scenes rendered with vivid realism. He is also known for his reconstructions in a neo-18th century style, such as 15th-century Courtyard in Castiglione Olona, in the Cariplo Collection; as well as for the more picturesque views of “Old Milan”, which was disappearing and giving way to the modern metropolis, like the one depicted in his acknowledged masterpiece In the Old Street, also in the Collection. |
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التاريخ |
١٨٩٦ date QS:P571,+1896-00-00T00:00:00Z/9 |
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خامة العمل |
زيت على قماش medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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الأبعاد |
ارتفاع: ١٣٨٫٠ سم؛ عرض: ٩٦٫٠ سم dimensions QS:P2048,138U174728 dimensions QS:P2049,96U174728 |
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المجموعة |
institution QS:P195,Q2054135 |
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الموقع الحالي |
Italiano: Sezione V |
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رقم التصنيف |
FCIP0042 |
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الكتابات |
توقيع : Arturo Ferrari / 1896
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ملاحظات | Elena Lissoni, Artgate Fondazione Cariplo | ||||||||||||||||||||||||||
المراجع |
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المصدر/المصور | Artgate Fondazione Cariplo | ||||||||||||||||||||||||||
الترخيص (إعادة استخدام هذا الملف) |
![]() ![]() ![]() هذا الملفُّ مُرخَّص بموجب رخصة المشاع الإبداعي نسبة المُصنَّف إِلى مُؤَلِّفه - المشاركة بالمثل 3.0 العامة نسب العمل لمُؤَلِّفه: Fondazione Cariplo
![]() ![]() ![]() هذا الملفُّ مُرخَّص بموجب رخصة المشاع الإبداعي نسبة المُصنَّف إِلى مُؤَلِّفه - المشاركة بالمثل 3.0 العامة نسب العمل لمُؤَلِّفه: Fondazione Cariplo
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الشروحات
العناصر المصورة في هذا الملف
يُصوِّر
Santo Stefano in Borgogna الإنجليزية
image/jpeg
dde11593b85528971da262d8770975025229813a
١٤٢٬٦١٩ بايت
٨٠٠ بكسل
٥٥٠ بكسل
تاريخ الملف
اضغط على زمن/تاريخ لرؤية الملف كما بدا في هذا الزمن.
زمن/تاريخ | صورة مصغرة | الأبعاد | مستخدم | تعليق | |
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حالي | 15:11، 11 سبتمبر 2011 | ![]() | 550 × 800 (139 كيلوبايت) | M.casanova |
استخدام الملف
الصفحة التالية تستخدم هذا الملف:
الاستخدام العالمي للملف
الويكيات الأخرى التالية تستخدم هذا الملف:
- الاستخدام في en.wikipedia.org
- الاستخدام في es.wikipedia.org
- الاستخدام في it.wikipedia.org
- الاستخدام في it.wikibooks.org
- الاستخدام في www.wikidata.org