ملف:Artgate Fondazione Cariplo - Hayez Francesco, L'ultimo abboccamento di Giacomo Foscari figlio del doge Giuseppe.jpg
Artgate_Fondazione_Cariplo_-_Hayez_Francesco,_L'ultimo_abboccamento_di_Giacomo_Foscari_figlio_del_doge_Giuseppe.jpg (800 × 576 بكسل حجم الملف: 176 كيلوبايت، نوع MIME: image/jpeg)
هذا ملف من ويكيميديا كومنز. معلومات من صفحة وصفه مبينة في الأسفل. كومنز مستودع ملفات ميديا ذو رخصة حرة. |
ملخص
فرانشيسكو هايز: The Last Meeting between Jacopo Foscari and his Family Before Being Sent into Exile | ||||||||||||||||||||||||||||
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الفنان |
artist QS:P170,Q223725 |
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العنوان |
The Last Meeting between Jacopo Foscari and his Family Before Being Sent into Exile label QS:Lit,"L'ultimo abboccamento di Jacopo Foscari con la propria famiglia (I due Foscari)"
label QS:Len,"The Last Meeting between Jacopo Foscari and his Family Before Being Sent into Exile"
label QS:Lde,"Das letzte Zusammentreffen zwischen Jacopo Foscari und seiner Familie vor der Vertreibung ins Exil" |
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نوع العمل |
لوحة فنية object_type QS:P31,Q3305213 |
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الوصف |
The painting was commissioned in 1838 by Emperor Ferdinand I, who had arrived in Milan for his coronation as king of Lombardy and Veneto, and it was destined for the Belvedere Gallery in Vienna. On its completion in 1840 the work was valued at the extremely high price of five thousand florins by the Commissione Permanente di Pittura dell’Accademia di Brera, which thus recognized its exceptional quality. In 1928 this large canvas was auctioned at the Galleria Scopinich in Milan, together with other valuable Italian paintings from the imperial collections, where it was bought by Antonio Bernocchi an important member of the rising entrepreneurial middle class, who was active in the textile sector and became senator of the Kingdom of Italy in 1929. The painting entered the Cariplo Collection from this prestigious private collection in 1989. Histoire de la République de Venise by the French historian Pierre Daru is the literary source of this episode regarding the Doge, who was forced to accept that his son Jacopo was sentenced to exile after being unjustly accused of treason. This subject had also been formerly addressed by Lord Byron in 1821 in his tragedy The Two Foscaris, which inspired the opera of the same name in 1844 by Giuseppe Verdi. The critics immediately recognised the theatrical appeal of history painting that often chose the same subjects as the more popular operas. The general public readily identified with the events depicted on canvas because of the precise reconstruction of settings, costumes and gestures, but also because they included portraits of their contemporaries as historical figures. In this canvas in the Collection the Doge is an older self portrait of Hayez himself, and with a dramatic gesture he forces his son to respect the decision of the Council of Ten, as he leans on his stick trembling with emotion. The differing reactions of the figures around him are evident: the silent suffering of the women; the icy expression of Jacopo’s enemy Loredano standing beside him, as the condemned son stretches out his hands towards his father; the various emotions of the children. Jacopo’s leavetaking of his family is rendered even more agonising by the allusion to his imminent departure from his homeland evident in the view of the lagoon with the ships about to set sail, which can be glimpsed through the portico of the Ducal Palace. The myth of Venice and the loneliness of the powerful are condensed in this episode, which Hayez treated repeatedly in several versions, including the famous canvas commissioned by his friend and adviser Andrea Maffei and executed between 1852 and 1854 (Florence, Galleria d’Arte Moderna Palazzo Pitti). The artist’s dramatic sensibility and the similarity between his painting and Verdi’s opera, was further confirmed when he was asked to revise the costume-sketches for the staging of The Two Foscaris in 1858. |
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أشخاص مُصوَّرون | Jacopo Foscari | |||||||||||||||||||||||||||
التاريخ |
بين ١٨٣٨ و ١٨٤٠ date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1838-00-00T00:00:00Z/9,P1326,+1840-00-00T00:00:00Z/9 |
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خامة العمل |
زيت على قماش medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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الأبعاد |
ارتفاع: ١٦٥٫٠ سم؛ عرض: ٢٣٣٫٠ سم dimensions QS:P2048,165U174728 dimensions QS:P2049,233U174728 |
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المجموعة |
institution QS:P195,Q2054135 |
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الموقع الحالي |
Italiano: Sezione II |
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رقم التصنيف |
AH01833AFC |
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ملاحظات | Elena Lissoni, Artgate Fondazione Cariplo | |||||||||||||||||||||||||||
المراجع |
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المصدر/المصور | Artgate Fondazione Cariplo | |||||||||||||||||||||||||||
الترخيص (إعادة استخدام هذا الملف) |
هذا الملفُّ مُرخَّص بموجب رخصة المشاع الإبداعي نسبة المُصنَّف إِلى مُؤَلِّفه - المشاركة بالمثل 3.0 العامة نسب العمل لمُؤَلِّفه: Fondazione Cariplo
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ترخيص
- يحقُّ لك:
- مشاركة العمل – نسخ العمل وتوزيعه وبثُّه
- إعادة إنتاج العمل – تعديل العمل
- حسب الشروط التالية:
- نسب العمل إلى مُؤَلِّفه – يلزم نسب العمل إلى مُؤَلِّفه بشكل مناسب وتوفير رابط للرخصة وتحديد ما إذا أجريت تغييرات. بالإمكان القيام بذلك بأية طريقة معقولة، ولكن ليس بأية طريقة تشير إلى أن المرخِّص يوافقك على الاستعمال.
- الإلزام بترخيص المُشتقات بالمثل – إذا أعدت إنتاج المواد أو غيرت فيها، فيلزم أن تنشر مساهماتك المُشتقَّة عن الأصل تحت ترخيص الأصل نفسه أو تحت ترخيص مُتوافِقٍ معه.
العناصر المصورة في هذا الملف
يُصوِّر
image/jpeg
f3c89e8d7a2bbd7cc135187a9fd6233c3d4b601b
١٧٩٬٩٧٨ بايت
٥٧٦ بكسل
٨٠٠ بكسل
تاريخ الملف
اضغط على زمن/تاريخ لرؤية الملف كما بدا في هذا الزمن.
زمن/تاريخ | صورة مصغرة | الأبعاد | مستخدم | تعليق | |
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حالي | 10:36، 9 سبتمبر 2011 | 800 × 576 (176 كيلوبايت) | M.casanova |
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