ملف:Artgate Fondazione Cariplo - Antonioli Fausto - Veduta della piazza Contarena di Udine.jpg
الملف الأصلي (648 × 800 بكسل حجم الملف: 145 كيلوبايت، نوع MIME: image/jpeg)
هذا ملف من ويكيميديا كومنز. معلومات من صفحة وصفه مبينة في الأسفل. كومنز مستودع ملفات ميديا ذو رخصة حرة. |
ملخص
Square in Udine – View of a Square in Udine – View of Piazza Contarena in Udine ( ) | |||||||||||||||||||||||||||
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الفنان |
Fausto Antonioli |
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العنوان |
Square in Udine – View of a Square in Udine – View of Piazza Contarena in Udine label QS:Lit,"Veduta della piazza Contarena di Udine"
label QS:Lde,"Blick auf die Piazza Contarena (heute: Piazza Libertà) in Udine"
label QS:Len,"Square in Udine – View of a Square in Udine – View of Piazza Contarena in Udine" |
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نوع العمل |
لوحة فنية object_type QS:P31,Q3305213 |
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الوصف |
This painting in its original gilt frame with velvet insets was purchased, together with the Istituto Bancario Italiano (IBI) Collection in 1991. The year before the execution of this work dated 1856, Fausto Antonioli, a landscapist and portraitist active in Udine since 1850, had been well received by local critics when he showed a view of Piazza Contarena (whereabouts unknown) at the Friuli Esposizione di Arti Belle e Meccaniche. That painting was commissioned by Francesco Verzegnassi, an Udine silk merchant friend of Ippolito Nievo and supporter of the clandestine preparations for the struggle against Austria. There are a close stylistic and thematic similarities between the painting in the Collection and this work described by the press at the time as a small view distinguished by a solid perspective scheme and the use of strong chiaroscuro. In fact, the painting presents a clear-cut, detailed view of the main square in the town, populated by small figures in contemporary dress. This square has changed its name several times over the centuries. In the Middle Ages it was known as Piazza del Vino, then Piazza del Comune and, following the arrival of the Venetians in the 16th century, it took the name of one of the lieutenants in the army and became Piazza Contarena. After the Unification of Italy in 1866 the square was named after Vittorio Emanuele II until the Liberation when it became Piazza della Libertà, as it is still called today. In this view Antonioli focuses on the 15th-century Loggia del Lionello, in the foreground on the right, the Loggia di San Giovanni, the Torre dell’Orologio and the column with the Statue of Justice; while to the left at a distance there is the Statue of Peace, by the sculptor Giovan Battista Comolli, donated to the city of Udine by Emperor Franz I to commemorate the Treaty of Campoformido. The precise rendering of the architecture is enriched by numerous details that allude to city life and the political climate of the time. On the building on the right a sign in Italian and German indicates the presence of the local Austrian Imperial-Royal Military Command, on the opposite side a theatre poster announces L’Ultimo Giorno di Suli, the opera inspired by the Greek-Turkish war, which had already been staged in other Italian cities and performed in Turin in 1863. The account of the siege and fall of Souli (1803) contained a call to patriotic values and bore a close resemblance, particularly in Udine, to the anti-Hapsburg uprising of spring 1848, when the city led by a temporary government had pushed back the Austrian army. Thus the piazza became the place that was the symbol of the city during the Risorgimento, and not by chance Antonioli depicted it once again in autumn 1866 in what was perhaps the first view of Italian Udine after the entry of Garibaldi’s troops into the city on 26 July 1866 and it thus became part of the Italian state, at the end of the third War of Independence (View of Piazza Contarena in Udine, Udine, Civici Musei Gallerie di Storia e Arte). The highly detailed precision of the description of the architecture and the viewpoint adopted in the various versions of the theme would seem to suggest that they were based on photographs, which the artist probably became familiar with through Count Augusto Gabriele Agricola, one of the first to experiment with the photographic technique in Friuli. Evidence of the friendship between these two protagonists of the city’s cultural life is also found in the photographic portrait of the painter and the Portrait of Count Agricola (Udine, Civici Musei), executed in oils by Antonioli in 1857, after his friend’s death. |
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التاريخ |
١٨٥٦ date QS:P571,+1856-00-00T00:00:00Z/9 |
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خامة العمل |
زيت على قماش medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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الأبعاد |
ارتفاع: ٥٧٫٥ سم؛ عرض: ٤٦٫٠ سم dimensions QS:P2048,57.5U174728 dimensions QS:P2049,46U174728 |
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المجموعة |
institution QS:P195,Q2054135 |
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الموقع الحالي |
Italiano: Sezione V |
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رقم التصنيف |
AH02011AFC |
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الكتابات |
Sign : F. Antonioli 1856
نص : M[...]ner Mer. Imp/Kommando/Imp. Reg./Comando Militare/di/Piazza
sull'angolo dell’edificio نص : Questa sera/al teatro/Minerva/si rappresenta
sulla locandina appesa sull’edificio نص : L’ultimo/ Giorno di Suli/musica del S[ig.] Ferrari
sulla locandina appesa sull’edificio |
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ملاحظات | Elena Lissoni, Artgate Fondazione Cariplo | ||||||||||||||||||||||||||
المراجع |
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المصدر/المصور | Artgate Fondazione Cariplo | ||||||||||||||||||||||||||
الترخيص (إعادة استخدام هذا الملف) |
هذا الملفُّ مُرخَّص بموجب رخصة المشاع الإبداعي نسبة المُصنَّف إِلى مُؤَلِّفه - المشاركة بالمثل 3.0 العامة نسب العمل لمُؤَلِّفه: Fondazione Cariplo
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ترخيص
- يحقُّ لك:
- مشاركة العمل – نسخ العمل وتوزيعه وبثُّه
- إعادة إنتاج العمل – تعديل العمل
- حسب الشروط التالية:
- نسب العمل إلى مُؤَلِّفه – يلزم نسب العمل إلى مُؤَلِّفه بشكل مناسب وتوفير رابط للرخصة وتحديد ما إذا أجريت تغييرات. بالإمكان القيام بذلك بأية طريقة معقولة، ولكن ليس بأية طريقة تشير إلى أن المرخِّص يوافقك على الاستعمال.
- الإلزام بترخيص المُشتقات بالمثل – إذا أعدت إنتاج المواد أو غيرت فيها، فيلزم أن تنشر مساهماتك المُشتقَّة عن الأصل تحت ترخيص الأصل نفسه أو تحت ترخيص مُتوافِقٍ معه.
العناصر المصورة في هذا الملف
يُصوِّر
image/jpeg
fc62aeed7a63f0838d734a14571f92ec43007cae
١٤٨٬٠٨٥ بايت
٨٠٠ بكسل
٦٤٨ بكسل
تاريخ الملف
اضغط على زمن/تاريخ لرؤية الملف كما بدا في هذا الزمن.
زمن/تاريخ | صورة مصغرة | الأبعاد | مستخدم | تعليق | |
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حالي | 15:19، 6 سبتمبر 2011 | 648 × 800 (145 كيلوبايت) | M.casanova |
استخدام الملف
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